The work recalls the genesis of architectural composition in his relationships. Infinite are the components of urban, more possible interdependencies physical, morphological, relief, cultural, economic, religious, in a word, the human context in the urban and vice versa. There are many resources to try, too many opportunities do not materialize within a network (URBANVOIDS), which remain guilty in budding indefinitely. Tooling is glimpsed in a big box that, as a kind of magnifying glass, blocked by the element predominant architecture in Rome, the building at the court, shall make a screening of the city, in order to weave, sew, put in touch significant elements of breath and glimmer of life. Here, beneath the appearances, the project emerged: the thoughts are the ... FLOW word, a place made up of relations and born for the comparison between the ideas to produce them. We must break the rules, go beyond the existing data and, by doing pioneering, visionary with the soul, the new design in harmony with the past. Indispensable ingredient is humility. Socrates said: "Wise is he who knows he does not know." The mirror inside the tooling to suggest just that concept. Looking at ourselves we will make that leap in architectural design at 360 ° so desired and so painstakingly researched. On the mirror is then shown at the Cultural Center PierPaolo Pasolini Mandrione difficult to see how complex was the path that the compositional generated.
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